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PROFILE: DESIGN ETHIC
 
 

For practical purposes there isn’t really any ideology describing sound design principles that can distill good design into any sort of doctrine or formula.   Especially with the private home, this is a highly individualized process, intricately wound up with not just concrete objectives and determinants, but personal values, lifestyle, orientation, family dynamics, and strategies for livelihood.  This is the sociology of design.

  “When we do not know what harbor we are heading for, no wind is the right wind.” 
 
~ Seneca
   

Design is a crucial aspect of our lives, both as an expression and determinant of who we are.  All of what we are happens in the context of time and space, and architecture is the space-experience.  What’s at stake is not just a box that encloses us but the setting of our experience as spatially orientated beings, and a well designed living space will enhance the quality of life in many ways, subtle and profound.  It will express how we identify and aspire to live.  A successful design process proceeds from time tested design principles, well articulated goals, and thorough consideration of the host of dynamics influencing the outcome.  And there’s unlimited opportunity to do something unique and special!  This is the value of design.

As for the particular attributes of  good design, the signifiers of excellent versus mediocre design, there is no one-size that fits-all, beyond a basic sensibility as a point of departure.  A time-tested and proven aphorism expressing the constituents of good design and the approach I take toward it is:  Firmness, Commodity, and Delight.  (This is the classical, or ‘Vitruvian’ formula):  “The beautiful is built on the foundation of the necessary";  it’s a way to keep the process relevant and the results balanced on all levels:  aesthetically and creatively, functionally and practically.

A design philosophy or approach shouldn’t constrain the process, but liberate it.  More useful than a litany of design rules is a brief inventory of the kind of general concerns that a good design process ought to deliberately and methodically address:

  • Siting considerations
  • Phasing & Masterplanning
  • Orientation factors
  • Influences of climate & geography
  • Vehicular access and use
  • Structure, Enclosure
  • Light and ventilation
  • Circulation and space planning
  • Spatial interest and opportunities
  • Form, massing, detail and composition
  • Sustainability issues: energy conservation, maintenance
  • Character & Context
  • Accessibility, Safety, Security factors
  • Economics, both initial and life-cycle costs
  • Balancing form and function
 
 
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Rob Reno, AIA • T: (603) 746-4200; F: (603) 746-4900
Email: Rob@RenoDesignGroup.com • web: www.RenoDesignGroup.com
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